The Triple Confidence of Chinese Games Going Global

Not long ago, at the Gamescom in Cologne, Germany, the second installment of the "Black Myth" series, "Black Myth: Zhong Kui," officially released its teaser trailer and quickly went viral online. From innovating game IPs to domestic games topping global bestseller lists, and with over 50 Chinese companies showcasing at the Cologne exhibition, Chinese gaming, rooted in culture, supported by technology, and empowered by ecology, is continuously "gaining fans" among overseas players, ushering in a golden period for going global. Just as Chinese mobile phones have achieved a "comeback" from OEM production to brand creation, Chinese games are also upgrading from product output to cultural dissemination. When Chinese mythology and Eastern aesthetics resonate with global players, games become not just a form of entertainment but a medium for civilizational dialogue. Writing stories with code, conveying emotions through visuals, and connecting hearts through interaction, allows the world to see a more three-dimensional, authentic, and vivid China from one perspective, which may be one of the most touching significances of games going global